I’ll defend Valerian and the City of a Thousand Planets to the end of my days, which isn’t hard because nobody actually saw the movie to be able to criticize it.
The movie has some of the most inventive and visually interesting action sequences this side of Mad Max Fury Road, and the art direction is something else. Also, while everyone thinks Dane Dehaan was a poor choice for a leading man, that’s just because they wanted Valerian to be some generic Han Solo ripoff instead of accepting him for the skeevy scummy horndog he was meant to be. The second half is a lot quieter and maybe less interesting than the first half, but it’s got a fantastic not-actually-action-packed climax and a resolution that’s shockingly heartfelt as much as its political undertones are bitingly cynical.
But I’m not here to talk about the movie as a whole, except that oops I already did. I’m here to talk about the opening.Continue reading “ Fantastic Visual Storytelling: Valerian”