Darren Aronofksy’s Noah was a really good movie. It isn’t really talked about much anymore, though. It was a huge box office success, had great reviews, and generated tons and tons of controversy for presenting a decidedly non-Evangelical interpretation of the Book of Genesis.
But what I want to talk about with Noah is its Creation Scene, one of the most visually stunning sequences in any film in the 2010s. If you liked Aronofsky’s other heavily symbolic and religious The Fountain, this scene will be perfect for you; it works amazingly in-context as part of the moral drama of Noah and his family, but it also works completely separately as a standalone scene:
I have had this past three weeks “off” work, in that I have to go to City Hall every day and sit there doing nothing but use my computer rather than teach any classes. So in all of my free time, I guess I’ll be uploading a few more random blog posts than usual. Here’s one right now:
One thing I love to do in my spare time, probably my nerdiest and least-redeeming hobby, is to analyze the movie box office and see what movies are doing well, what movies are doing poorly, and how well the movies I love are performing. Even though I’m obviously most invested in what I care about most, I wish for the best for (almost) every movie, even though sometimes you just get pretty big failures out of nowhere.
In the case of the hypothetical scenario I’m about to write about, the first three months of 2019 were considered pretty terrible for the movie box office. There were a few hits– Captain Marvel, obviously, and then How to Train Your Dragon 3, but a few more big movies had major underperformances (Glass, Lego Movie 2, Alita, and now Dumbo) that have dragged the entire calendar down.
So I began to wonder one thing… what if the release dates of three of the biggest movies were swapped around?
It’s an old photo of John Malkovich that makes him look really smoking.
I have never considered John Malkovich in my pantheon of hunky male dreamboat actors, but it turns out that he ended up being relatively hunky in his early years after all, if this photo is any evidence.
Is it something about the combination of black-and-white and a suit, or was he actually just a good-looking dude back thirty-plus years ago? It’s hard to tell. But what I do know is this guy right here looks like he’s about to star in a neo-noir film about a dystopian future where the world is controlled by alien invaders who are mining the planet for precious resources, but John’s just a private eye trying to make it through the week on booze and cigarettes.