What I’ll talk about here has already been covered very well by other authors and sumarized quite succinctly in some quite biting memes, so I’ll be somewhat brief about my feelings on Hibike! Euphonium and what its decision to queer bait the audience meant to me.
I think Kyoto Animation is for sure one of the best animation studios in the world today. Even when they make work far below their usual standard, it’s still mediocre at worst. To call them the Pixar of anime is probably only a slight exaggeration. Have they even made a genuinely bad show? I don’t know.
My problem with Hibike! Euphonium lies in the fact that it is NOT a subpar show in any way. It was well-written, filled with memorable characters with interesting characters arcs, and it was beautiful, with gorgeous artwork complimenting the lovely music (both in the OST and in the show itself).
Listen, I’m not about to attempt to explain this movie to you because you won’t believe me even if I did. I’ll just say that Night is Short, Walk on Girl is a bonkers film, probably Masaaki Yuasa’s best work yet, and absolutely one of the most visually excellent films of the 2010s. Cinematic maximalism.
Also, can we just stop and reflect on just how prolific Masaaki Yuasa has been in the past ten years? He started off with a bang with The Tatami Galaxy in 2010, then two more series, Ping Pong in 2014 and Devilman Crybaby in 2018, plus the brand-new Keep Your Hands Off Eizouken! that started just this January. Then he has released THREE theatrical films–Night is Short plus Lu Over the Wall and Ride Your Wave (which premieres in the U.S. next month in a one-night event; go see it!). Add in all the other weird stuff he’s been going and you have one of the most productive men in the realm of animation. And all of it is great, somehow. Let’s hope he keeps this up in the 20s!