July 16th, 2015, a terrorist attack happened less than five miles
was sitting at home, doing whatever. Who even knows. Then the news
came in that a deranged man shot up an military recruitment building
in Chattanooga. Then he got in his car, drove to a Navy Reserve
center, and shot it up as well.
5 people died, and two were injured. The man wasn’t ISIS, but he had been influenced by jihadi propaganda on the internet, as well as mental health and drug abuse problems. Right here, where I lived, where I never even considered the possibility of something like this happening, some depraved being went on a rampage committed a mass shooting.
Y’all remember that time Nintendo really fucked up bad? I’m talking when the Nintendo 3DS first came out in the spring of 2011. There were no launch games worth talking about, no game to sell the system to gamers, to casual audiences, or even to kids. The 3D gimmick was really neat, but no game truly showed it off in any notable way, much less anything that made it essential for gameplay. As the follow-up to the best-selling handheld gaming system of all-time, Nintendo really ruined things.
Rise of the Planet of the Apes was a good movie that worked as a nice prequel to a classic film franchise while also standing alone as a sci-fi monkey drama.
Dawn of the Planet of the Apes was a great movie that kicked everything up a notch and went into far greater emotional depths while being a true blockbuster experience as well. However, it worked so well partially because of how standalone it was from its predecessor. The human cast does not return, and our cast from the original have character arcs independent of those they had in the original movie.
This opening scene, then, acts as a bridge between those movies, but also as its own standalone art piece of a pandemic growing and human society collapsing. The peaceful globe-spinning graphics mixed with the increased panic of the archival footage makes for an unnerving intro that firmly sets the tone for the rest of the film.
Sequels do these sorts of “recap the previous movie” intros all the time, but rarely do they succeed on an artistic level all their own. Dawn of the Planet of the Apes is special.
My Netflix account was erased
in December. Gone, wiped out, completely reset to zero.
It had been almost exactly ten years since my family began using Netflix. When we first started using Xbox Live in January 2010, achieved by rigging a 100-foot ethernet cable across two rooms into the router box, its main use almost immediately became streaming Netflix. Sure, Halo 3 and Inside Xbox were important in our household, but the Xbox 360’s primary purpose was to stream movies and TV shows.
There was a brief time where, due to confusing and failed life plans as a result of my tenuous position as an alternate for the JET Program, I was a NEET from July to November 2018. And because of that, for three months, I was getting no income, but I was also living rent-free with my parents and infinite free time… My dreams of being a Full-Time Writer came true. If I was going to be a NEET, I was going to be a NEET who accomplished great things…!!!
Then I got called to fulfill a position in the JET Program after all at the end of October and that all disappeared immediately. But I had set all of these lofty goals for myself… I really was gonna make this writing thing work… But, yeah, I definitely chose to actually make money doing a job I like instead of risking getting buried in accumulating debt.
Listen, I’m not about to attempt to explain this movie to you because you won’t believe me even if I did. I’ll just say that Night is Short, Walk on Girl is a bonkers film, probably Masaaki Yuasa’s best work yet, and absolutely one of the most visually excellent films of the 2010s. Cinematic maximalism.
Also, can we just stop and reflect on just how prolific Masaaki Yuasa has been in the past ten years? He started off with a bang with The Tatami Galaxy in 2010, then two more series, Ping Pong in 2014 and Devilman Crybaby in 2018, plus the brand-new Keep Your Hands Off Eizouken! that started just this January. Then he has released THREE theatrical films–Night is Short plus Lu Over the Wall and Ride Your Wave (which premieres in the U.S. next month in a one-night event; go see it!). Add in all the other weird stuff he’s been going and you have one of the most productive men in the realm of animation. And all of it is great, somehow. Let’s hope he keeps this up in the 20s!
This is a sequel to my previous article on my favorite albums of the 2010s. I had so much to write about that that list went on way longer than I wanted, and I was STILL unable to list all of my favorites. There’s a lot of amazing music out there!
So I wanted to make this second list just to feature everything else I wanted to feature, though without any writeups this time. Same rules apply last time, so no repeat artists/groups, and no soundtracks (sorry again Michael).
2013 was the beginning of a renaissance for the Star Wars fandom. With the waning days of the post-Episode III Expanded Universe and the recent sale of Lucasfilm to Disney, things were about to change dramatically for the franchise and its massive fanbase. But in 2013, things were still simmering.
And with that simmering came the Auralnauts Jedi Party Saga…